The OTHER Best 2008 Comeback for A Grizzled Veteran

Everybody's talking about Mickey Rourke and "The Wrestler". I haven't seen it yet, but I am a fan of Mr. Rourke. Afterall, he starred in "Barfly", one of the best movies about drunks ever made and by far the best cinematic interpretation of Charles Bukowski's writing. Well, another grizzled veteran of the silver screen made a comeback in 2008, and not too many people know about it. Maybe its because he moves in silence, clad in black, his black hair greased back and his dark scowl distorting his visage into a hate mask of destruction. Yes, it is Steven Seagal I am talking about, and though his comeback didn't warrant interviews on NPR and a pictorial in the New York Times Sunday Magazine, it made die hard Seagalogists like myself take notice.


Seagal was once one of the all-time great movie bad asses. His rebellious attitude, the amount of gore and violence in his movies and his crazy conspiratorial politics all made for an intoxicating cocktail. From 1988 until 2001 (barring "Ticker" and "The Patriot") everything he touched turned to gold. Or if not exactly gold, at least movies that are entertaining as hell and just about the best thing to watch while stripping your mind of unneeded brain cells. Look, I could wax poetic about my love for the Ponytailed One, but you might be better off just reading this incredible book: Seagalogy. I can tell you, if Seagology was Tom Cruise's cult, he'd be making way better movies.

Ever since his last turn as a big screen action star, the crappy Ja Rule team-up "Half Past Dead", Seagal has churned out an endless succession of straight to DVD action flicks. They range from the fun ("Belly of the Beast"), to the palatable ("Black Dawn") to the downright horrible ("Submerged"). They've all had one thing in common, however. They are bad, bad movies.

Recently, however, Seagal has staged a mini-comeback. First he made "Urban Justice" in 2007. Now, by no means is this a good movie, but it is entertaining, and has a fairly straight ahead story. The problem with most of the worst of the Seagal straight to video films is that they have been extremely convoluted espionage tales. Nobody watches Seagal for the plot. The more stripped down the better. HIs best movie is "Out For Justice", and that has the simplest story out of any of his films. We watch Seagal, much like Jason Voorhees, because we want to see how he will dispatch large numbers of foes. In the classic Seagal films, he would never disappoint in this department. Hitting people with salamis, pool cues, pool balls, throwing people through windows, legs and arms breaking left and right. A perfect symphony of violence conducted by a large man with a ponytail and a penchant for wearing fancy three quarter length coats.

Seagal is getting old now, and it shows. First off, dude is fat. Second off, his face is looking pretty haggard. Now, i've been thinking for awhile that he could still make some decent films if he played his look right. Instead of being some dapper international spy and looking ridiculous, have him play an old burn out. That's just what they do in "Pistol Whipped" and it makes for Seagal's best film since "Exit Wounds".

Seagal plays a burned out drunk, a compulsive gambling disgraced cop. The great Lance Henriksen plays a powerful and mysterious guy who hangs out in an abandoned theatre and buys all of Seagal's gambling debts, which are over a million dollars. Seagal has to pay him back by killing a bunch of crime lords. Decent premise, right? On top of the decent story and brief but effective fight scenes, this film actually contains some of Seagal's best acting, ever! Not too impressive to some people, but for me, its a revelation. When you see a Seagal scene that actually approaches the universe that the planet Touching inhabits, you are seeing his best acting ever. Its a compelling character as well. Seagal pretty much looks like a fuck-up these days, so why not have him play a fuck-up?


I really liked this movie and I heartily enjoyed the Jim Beam Rye Whiskey that I sipped while watching it. I had only had Rye once before, some time when I was 21, I had a couple of glasses of Old Overholt and was not very impressed. I decided to give it another shot while watching this on my day off, and I was pleasantly surprised. Beam Rye has a sharp, spicy flavor, a pleasant aftertaste and a great, clean finish. It tastes way better than the Beam white label bourbon. The scary thing is, now there is a whole 'nother world of whiskey out there that I have to explore. Beam Rye, thank you for opening the doors to an even deeper level of drunken hell in my life. (That last sentence is a joke. My life is great, this blog is proof.)

Seagal drinks a lot in this movie, which is awesome. He walks into a bar and orders, in his trademark near unintelligible whisper, either a "Double dragon rock on the rocks" or a "double Jack and rocks on the rocks". Either way, impressive order. There is only one other line I felt the need to scribble down while viewing this and that was, of course, "You're cremated now, muthafucka!" Which is of course, a great line.

Anyways, this a wholly positive review, as I really liked the movie and the whiskey. See you in the funny papers.

80 Blocks From Tiffany's

I've heard about this movie for a long time. Its an ultra rare (it sells on used VHS for $300 on Amazon) documentary by Gary Weis, originally released in 1979. Weis actually worked on Saturday Night Live and this was his side project, an intense, down to earth look at the embattled South Bronx of the 1970s. The Bronx in the 1970s was an incredible place. There will most likely never be another place like it again, as long as zombies, a plague or nukes don't decimate a major American metropolis. This is where hip hop was born, and it was the most ghetto of ghettos.

Miraculously, a video store in Boston (I won't say which one, because I don't want anyone stealing it and selling it on ebay), had this movie on the shelf. On the way home, I stopped into a liquor store for some whiskey. Little liquor stores in Boston really don't have great selections of booze, by and large. I might have to take a road trip to Kappy's to get something interesting. I decided on the blandest of the bland tonight, and went with Seagram's 7. There is really no way to describe Seagram's 7 in a positive light. I mean, sure, its "smooth", but it also has basically no flavor. For a dollar more a bottle, Evan Williams actually tastes like whiskey. Seagram's 7 tastes like whiskey flavored spring water. The little flavor it does have is syrupy and sweet, which leads me to believe that it gets its brown whiskey color from caramel sweeteners. There is little to no body, the whiskey is thin and slippery. I like my girls, and my whiskey, with the boom. I would say this is the Kate Moss of whiskeys, but she's actually really pretty, once you get past the visible ribs and chicken legs. I guess its just the cheap, really skinny girl with no personality of whiskeys.

I settled down with my nondescript whiskey to finally see this movie. I won't lie to you, I was psyched. I'm a huge hip hop person, and this movie is more hip hop than hip hop. These are the real gangsters, the real streets that all rap came from and that today's kids emulate. The locations, the interviews, the music, even the stuff they wear provides a fascinating glimpse into the South Bronx. The gangs interviewed are the Savage Skulls and the Savage Nomads. We meet the leaders of both gangs (Hollywood for the Skulls and Crazy Joe for the Nomads). We also meet several active members of both gangs, like D.S.R., Outlaw Manny, Frankenstein, Jamal and Fly. There are interviews with female gang members like India and shorty, and ex-female member Evelyn. There are interviews and on the beat footage with Youth Gang Task Force cop Bob Werner, community activist Joan and a former club owner named Heavy.

This is an incredible documentary. It ended after a scant 70 minutes, but easily could have gone on for hours and I would have been just as fascinated. If there has ever been an obscure documentary that screamed louder for the big time fancy loaded with extras DVD treatment, I've yet to hear of it. Where do I begin? This is just the raw, real street shit, from another time and another place. One thing that really amazed me was the overall positivity of the scene. It seemed like hard drugs had yet to really screw these neighborhoods up. That would come a few years later, when crack stepped onto the scene. These kids weren't choir boys, they robbed, fought, killed, raped, pillaged. But the whole community seems to be striving for something better, and the gang members are part of the community. These are just lost kids looking for a home, and the gangs provide them with some semblance of a family.

The cop, Bob Werner, seems to care about the kids, he's not out to harass these kids or screw their lives up any worse than they already are. Conversely, the gang members respect the cops for doing their jobs, and only get pissed off when their friends get sent to jail for crimes they didn't commit. Its a shockingly mature and intelligent stance in this age of SWAT teams and Stop Snitchin. These gang members come across as being very smart, on a whole. There is little false bravado and posturing, when compared to today's wannabe gangsters.

There are literally too many great quotes and scenarios to list in a review. This film definitely is one of the best inner-city documentaries I've ever seen. I give it my highest recommendation, if you can find it. You can definitely find Seagram's 7 anywhere, and I don't recommend it. Unless you like your whiskey really bland. I know that this film is extremely hard to find from my own experience with it, but its a must see.

Here's the first 8 and a half minutes. I think the entire thing's on youtube. That's not the same as finding the real VHS, though.

Force: Five and some Damn Whiskey

My life is like SOOOO weird! OMG, LOL, ROTFL, TTYL, WYLITATALIY (When You Look Into The Abyss The Abyss Looks Into You). Nah, but the last entry I wrote for this damn blog was about "Gymkata". Soon after writing that entry, I went on a spirit journey to Halifax, Nova Scotia, a trip that was incredibly fun and nearly got me landed in the slammer. But that's another story, for another time. On the way up to Nova Scotia, I pulled off the highway somewhere near Portland, Maine to take a leak or get some gas or take a gas or get some leak or something. As I was driving to wherever I was going, I noticed a little, old timey (if you consider the 80s 'old timey') video store. I pulled in on impulse, thinking that they most likely had some old VHS tapes for sale used for cheap. They had a couple racks and some definite great finds. One tape didn't have the sleeve, just the clear rental case. It was from 1981, from Media Home Entertainment and was Rated R. It was called "Force: Five" and for a buck and a quarter I figured it was worth the gamble.
Flash forward a week. (My blog is pretty intense with all these personal recollections and flash forwards and flash backs and shit. Its like Quentin Tarantino on acid.) I'm watching "Force: Five" and drinking me some damn Old Crow bourbon. It occurs to me that tons of people in this silly kung fu action flick were also in "Gymkata". So, as I sit down to write this blog entry. Here I sit under God, and I look up this flick on IMDB to validate the idea that these movies are connected. The same guy that directed "Gymkata" directed "Force: Five" and tons of the same people are in both. Robert Clouse, you really know how to make a shitty karate flick! Wait, after looking at his IMDB page, the guy made "Enter The Dragon"! Holy moses. He went from making a classic to a slew of crappy low budgeters, shit, that's pretty sad. Now, I kind of took awhile getting to that point, but I think its pretty weird. Pick up a movie you've never heard of in a little video store in Maine to review on your little blog and it turns out to be a predecessor to your last reviewed movie.
 

Anyways, I really like Old Crow, it is the very first whiskey that I got into. At Umass Amherst, in that last, insane, tragic, hilarious and beautiful year that Butterfield dorm was still Butterfield dorm, I had my first tall styrofoam cup of Old Crow and ice from the ice machine in the basement. I was only 20 at the time, and pretty much drank only beer. The beer would always run out, and on many late nights, my friend Jason Koning would pull out his bottle of Old Crow and offer a drink. I remember actually thinking that drinking whiskey was an old man's thing and that it would be years before I embarked on such an endeavor. This is because all the other times I had drank whiskey it was in shots or pounded out of a bottle to get extremely drunk extremely fast. I had never hung out and really sipped and enjoyed whiskey. After a couple of good Old Crow nights, with Mike Watt's "Contemplating The Engine Room" playing or Jon Keane and Jason and I watching classic films like "Rappin'" and sipping the Old Crow on ice, I decided that I definitely loved whiskey.
I definitely think that memory and nostalgia affect opinion. I know that Old Crow isn't a good whiskey to some people. In fact, I've heard many people say that it is in fact, really bad. To me, its gentle flavor is what opened the door for the Eagle Rares, Buffalo Traces and Balvenies of the world for me. It was my first whiskey love, and I love it to this day. Old Crow is best sipped out of a large glass (or better yet, styrofoam cup), with tons of ice. You fill the glass with ice, pour the Crow in about 75% to the top of the ice and let the ice get to the whiskey. The result is a smooth sippin, ice cold drink, best enjoyed very slowly. Drink it like its 2 in the morning and you are hanging out with friends and you want to stay up til at least 4 and there is no more booze at all. In other words: sip it.

Now, ons to the movie. "Force: Five" is in no way a good movie. It makes "Gymkata" look like Oscar material. But, it is definitely goofy, low budget fun with tons of unintentional laughs and one actual intentional laugh. (Which I noted in my notebook: "Intentional Laugh!")
It concerns an evil Asian cult leader who owns an island and courts spoiled, upper crust young people who he then fleeces for their inheritances. He also is a karate master and has a giant army of gi sporting karate warriors. Sort of like a Jim Jones/Symbionese Liberation Army/Han from Enter the Dragon combo meal of a bad guy.
The action is plentiful, though not very gory, except for a bad guy who's head-a-splode. The acting is horrendous all around, but especially with the main star, Joe Lewis, yes Joe Lewis, but not the Brown Bomber. I never thought you could over act the action of pulling a lever, but he does. The movie gets its title from the fact that Joe Lewis recruits five "very special people" (insert retard joke here) to put an end to nefarious shit that is afoot on the cultist island. The movie should really be called "Force: Six" as Joe Lewis is the leader and the aforementioned five are helping him out. But then, it really wouldn't have the brilliant alliteration of "Force: Five". So, I don't know, maybe call it "Society: Six". Pretty lame, but "society" was the only word I could get out of the thesaurus (WHICH I NEVER USE) for "group" that starts with 's'. Let me try looking up "Force". How about "Strong Arm: Six"? I like that, and its more accurate than the actual title.
I don't want to give too much away, because I'm sure that my minions of readers will go and watch this movie, but at the end its revealed that the cult leader has magical powers, which he uses in a battle with Joe Lewis.
Overall, a pretty crappy movie, but its full of action and goofy fun. Definitely an okay flick to watch while sipping some delicious Old Crow.